Mötley Crüe – Saints Of Los Angeles

Our esteemed brother Mike Lebrain sent me this one, and… well, it’s not often I rip on an album, but I’m afraid this time I’m going to have to do it.

Look, I know that Mötley Crüe never was intended to be any smarter than it takes for a mouth-breather to undo their zipper and play with themselves. I know this. It was party party party, girls girls girls, rawk rawk rawk and fair enough. Get your funk on and have at ‘er. So I shouldn’t really be surprised by this album, but I was… and I wanna explore why.

L.A.M.F. is a cheesy intro. Meh. Face Down In The Dirt has punk roots, I just know it, but it comes off as something else. But what? Template 90’s rock. In 2008. And the line “I’d rather be dead / I’d rather be face down in the dirt with a bullet in my head” is troubling. Um, guys? You’d rather that than what, exactly? Singing the rest of this song? Making this album? Who writes this stuff and why are they not seeking help for it?

What’s It Gonna Take is a sodden poor me song. Aw, the label says you can’t make a hit song? Well, do you want to? Then do it. But writing an average song about how you have it so tough isn’t cutting it for me. Next.

And for the record (pun fully intended), that’s now two tracks in a row wherein the message, to me, is that they’d rather be somewhere else, doing something else.

Down At The Whiskey, as a song, hits harder and may contain tinges of the band of old. But this is a nostalgia song for what used to be. Jeez, they want out. Can’t anyone else hear this? Saints Of L.A. (Gang Vocal) is an OK track, it rocks along well enough. Cowbell! Spoiling for a fight, blah blah blah. M.F. Of The Year is decently sludgy. But I’m just not buying that he’s the M.F. Of The Year. There’s something very clean about all of this “dirty.” It’s a pose.

The Animal In Me is weak. I didn’t even play it all the way through. I started losing interest because I’m not buying. Welcome To The Machine is full-on rock. Finally! This track should have started the album. Screw that silly intro. This would have helped announce themselves far better. For all that, it’s a thinly-veiled rant about the industry again. Ugh. Just Another Psycho is another meh track. Ooo I’m so crazy! Next.

And, of course, we had to have a song about girls. You know, guys, Chicks = Trouble will definitely win over the ladies. Oh but they didn’t mean it. Just kidding, bitch. Ugh. This Ain’t A Love Song… wait, wasn’t this the previous song? Ha. Anyway, it’s slinky but not really so great. They could have (and should have) done better. Juvenile.

White Trash Circus crashes along as it admits they’re not likely worth your time anymore. I have zero sympathy for thinking like this. Going Out Swingin’ ramps the speed back up but, from the content of the album I’d have said this was giving up, not going out swinging. I guess they have to dangle hope there’ll be… what? Another record like this? Going out is apt, however.

In sum: I am very grateful to have heard this. I have a hard time believing I’ll ever play it again.  Thanks for the education, Mike!

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Posted on May 1, 2014, in posts by aaron and tagged . Bookmark the permalink. 14 Comments.

  1. Clarification: Saints of Los Angeles is a soundtrack album to their book, The Dirt. That’s why lyrically you’re hearing about the past glories etc.

    I think this album has 3-4 Motley Crue classics on it, but unfortunately it would not have stood up against Feelgood or even Girls Girls Girls. 3/5 stars

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    • Ah, and here’s me just listening and not really looking it up before I posted – and as always, Lebrain bringing us the knowledge! I dunno, man. It just sounds… tired. Like he’d rather be gardening, or something.

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      • I’m sure there’s truth to that. Look at the writing credits — almost every song is by Sixx/Michael. I don’t think there is a single Vince Neil credit, maybe one by Tommy Lee…these guys couldn’t even be bothered to show up.

        I believe this was more a “product” for the band.

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      • Well it didn’t do much for me. And I wanted to like it, I really did!

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        • I think the same was true for me, so I just played it over and over until it started to catch with me.

          I believe I got this around the same time as Good to be Bad by Whitesnake, interestingly. And then I replace BOTH with Japanese editions. Which is why we’re here on keepsmealive today!

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      • And it’s why I am a lucky, lucky guy. 😉

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  2. So Mike bought this one twice? I do have a copy of this but it’s in the “bought on a whim cause it was cheap but will probably never listen to it” file. Your review is not helping! Drunk review time!?

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  3. I think this album is junk…I bought this and well slapped it into my iPod and while,it’s still there I have no use for this drivel.
    Yeah I dug a few good tracks like Down At The Whiskey and MoFo Of The Hear I kinda dug that is it!
    For me this band eneded creatively after the Motley Corabi release.
    Generation Swine I give em props for changing gears but man that thing I like about half of it …New Tatoo
    =puke in my mouth……

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    • So… later Mötley ain’t doing it for you, then? Hahaha. Glad I didn’t go to far astray with my assessment. I know Mötley is a fave of a lot of the guys here, especially the early stuff. I wondered if maybe I was pissing from great height on something sacred, ya know? 😉

      You guys keep mentioning that Corabi release. Adding it to my search list.

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  4. Too Fast For Love & Motley Corabi are the only two Motley releases I can listen to front to back,the other releases I’m skipping tracks now…..

    Like

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