No, I’m not messing with you, with that title. That is the artist name, and then the album titled the artist’s name. Twice. I know.
Anyway.
Here’s another disc I rescued from the death throes of our shite little HMV. It was in the 2-for deal, and I’d heard the name (I remember people raving) and I thought, well, why the hell not. I don’t really know from Bon Iver, so this was as good a time as any to find out.
Turns out there’s a record before this (For Emma, Forever Ago), and one after it (22, A Million). I tried to find the previous one, for perspective (reportedly this second effort is a departure), but my HMV didn’t have it. James looked for me in his store too, but no luck (thanks for looking, dude!).
I also read online that the name Bon Iver is pronounced the same as the french for good winter, bon hiver, and purposely mispelled. Because… why not?
A lot of the songs titles here are place names, because, as Justin Vernon said, “…and every song I ended up making after that [Perth] just sort of drifted towards that theme, tying themselves to places and trying to explain what places are and what places aren’t.”
Alrighty, then.
***
Perth starts us off with a twisted little bit and then becomes a big crashing instrumental thing which is oddly satisfying. There are lots of interesting bits to it, I liked it. We move seamlessly into Minnesota, WI, which has a funky intro before becoming synth-backed vocal sections. Picked strings (a banjo, or maybe mandolin?) come in, and then 80s-style synth bass throbs while he sings normal and falsetto… Fascinating.
Holocene was a single (and was Grammy-nominated!), and it starts with a real pretty acoustic guitar bit. It floats along prettily, with more falsetto vocals. As it grows it just becomes more of itself without developing an edge. Holocene is an epoch of history, but it’s also a bar in Portland, OR. Justin Vernon said of it: “It’s a good example of how all the songs are all meant to come together as this idea that places are times and people are places and times are… people? They can all be different and the same at the same time. Most of our lives feel like these epochs. That’s kind of what that song’s about. “Once I knew I was not magnificent.” Our lives feel like these epochs, but really we are dust in the wind. But I think there’s a significance in that insignificance that I was trying to look at in that song.””
Towers (another single) carries on the falsetto vocals, this time over strummy electric guitar. It becomes a country swinger, a cool track that carries on this unique sound. Michicant is next, a plodding indie jangle that has beauty in its make-up. The skittery instrumental outro was my favourite part. Hinnom, TX lets echoes rule the track as it offers little jabs of vocals and bass. Weirdly hypnotic, this one held my attention because I kept waiting for something else to happen but it never did, and that ended up being alright by me.
Wash. has a soft piano intro with gentle high vocals over it, strings build in behind and it becauses one of the most starkly beautiful tracks on the disc. By the time the drums jitter their way in, I was already hooked. Calgary (another single) drifts along on synths and more of those same vocals, gentle and caressing and somehow precious. When the drums and spacey synths join in it’s almost a Peter Gabriel track done Bon Iver-style. The instrumental break is fun as it fuzzes out and the vocals finally get some backbone. The track is bookended by strummed acoustic and vocals from the beginning.
Lisbon, OH is short, just a held synth note with blipping and bleeping. It grows as it changes notes, but it’s an electronic soundscape. An interlude track. Maybe a song idea that wasn’t complete enough to become a full song. And finally it’s Beth/Rest (another single), which starts off sounding like some sort of Phil Collins/Howard Jones/Peter Gabriel hybrid synth tune. What a throwback. Not due to this, but because of the strength of the tune, I’d say this was one of my favourite tracks here. The guitar solo is great, with pedal steel in the background mingling with that sax… Lovely.
In Sum:
I went into this blind, and came away impressed. Deceptively simple tunes throughout, this record contains a lot of layers, little bits of creativity and nuance that I’ve surely missed on this run-through. I’m certain further plays will reveal more. I recommend this album for late at night, the lights low, the good headphones on, and nowhere to be but right where you are.
Helloooooo nurse!!!
Yayyyyy. I’ll start working on my acceptance speech. Also hiring a limo and getting my suit dry cleaned. Or do I need a tux.
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No suit, no tux. The nurse prefers your open-backed hospital gown.
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Is it Hot Lips, the nurses from China Beach, ot the nurse in Enema of the State?
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Not the one from Blink-182. I remember a big deal being made at the time about that cover because if I remember correctly she only performed with other ladies.
No sir, we’ve got a special lined up for you: Nurse Ratched!
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Nope.
I’ll stick to Dana Delaney and Marg Helgeberger in China Beach era.
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I don’t know who either of those people are. But sure!
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Beautiful brunette and fiery red head.
Also they are both great actresses.
Marg starred later on CSI.
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I know of CSI. Cool, I just don’t know their names. I miss a bunch, not having TV. But if Bop says they’re hot, well then…
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China Beach was from the 90’s but I remember the nurses very well.
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They seem to have left a lasting impression. Excellent!
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According to Wikipedia, she left the porn industry to be a kindergarten teacher.
Ummm. Yeah.
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Talking about shifting gears without a clutch.
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You mean the guys that watched her porn?
😉
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Haha I knew you’d go there. I set it up, you knocked it down!
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She set it up, they tossed it off.
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Yup!
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If a nurse takes out the iv’s, all you are left with is Boner- Boner, Boner.
😉
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COMMENT OF THE WEEK!
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Haha also, that nurse always does that.
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I haven’t heard this one. I did like For Emma, Forever Ago for a while. Even went as far as buying it. But then I found it all a bit mnah. I guess I just didn’t need to choose to listen to him to hear him.
For what it’s worth, For Emma, Forever Ago is a pretty decent album. It’s just a shame it’s one of those albums that the music press ran out of superlatives when writing about.
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True there was quite a bit of hype about FE,FA and BI, BI. Not so much the new one, interestingly…
I dunno, I still wanna hear FE, FA. I got a sense of what he was trying to do with this record, and I like what he tried, whether it worked or not…
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It’s definitely worth checking out. Like I say, I liked it for a while. I dare say going into it now, and missing all the hoo ha about how great it is, it’d be a far better experience.
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Hoo ha is my new favourite expression!
If I find a cheap copy, I won’t hesitate to get it.
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I think Kerching has it. I’ll swing by once I’ve settled in the new place.
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Man, that place has everything.
Speaking of places: new digs chez J?
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New digs indeed! Moved in on Monday, so a bit preoccupied hence the sporadic commenting and suchlike!
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Hey congrats! Hope the move goes well!
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So far so good. Took the eye off the ball with some things (like internets, so using my phone data shenanigans for all the internet stuffs until later in the week when I get hooked up!), but settling well.
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Awesome! More room in the new digs for the wee yin to rip around? 🙂
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You bet. He’s already tearing through the place!
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Fantastic. That is what they are built to do! He must be getting pretty big now. How old is he these days? My boy turns 8 yrs old in a month (gasp!) and is already 4’8″. Growing like a weed…
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He’s 18 months. In about everything… into cars and dinosaurs and even has his own wee CD collection (yup).
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Holy crap, a year and a half already? Man, those are golden times. Walking and talking balls of energy! I’ll tell you though, it never lessens! They just keep getting bigger!
Yup, cars and dinosaurs for sure. His own CDs? Niiiiice!
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Yeah. A ball of energy all right. Falling off chairs, couch, bed… right back up again. Just doesn’t stop. His favourite word right now is “no”. Ha!
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Sounds right on track! Oh man, little boys are crazy busy, but then we had a daughter and guess what? Haha same thing! 🙂
As for “no,” oh man, I totally hear you on that one. It does get better, but it can take a looong while…
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What Mike said. This got pushed at us poor souls over here a lot.
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Have you tried For Emma, Forever Ago? I hear it’s pretty good. Or was it just this one you heard?
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It’s okay, just lacking bollocks really.
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Hm. Maybe they’re growers?
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No. I decided. (and even if I’m wrong, I’ll need to pretend I’m completely right! Especially then!)
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Wow. I admire your tenacity… Say, um, how does that type of approach go over with your lovely wife, then?
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Very well because she accepts my intrinsic rightness at all times and meekly submits to my ruling the household. (Checks carefully over shoulder to make sure she can’t see this)
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Haha I knew it!
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To quote Peter Griffin, “I am not a fan”.
And that title? I hope Bon Jovi call their next album, Bon Jovi, Bon Jovi.
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This was my first time trying it and I might be a fan? Off this one record, maybe. If I hear another and like it too, then yes.
Haha Bon Jovi – Bon Jovi, Bon Jovi.
Or how about:
Van Halen – Van Halen, Van Halen.
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You lost me at 80’s style synth bass.
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Come back, Bop! I looked it up and I was wrong… “while the song “Minnesota, WI” was described as featuring “finger-picked guitars, double bass drums and distorted bass saxophone”. ”
There’s lots to like here, you should give it a try!
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Seems that less is more applies here…
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Definitely, and it’s often quite beautiful!
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