Accept: All The Everything Pt.9
I’ll just put it out there off the top – I wasn’t an Accept fan back in the day (I was the jazz kid), and I really don’t know much about them now except that they’re a metal band (in my mind from the 80s, though clearly they’re still going). Robert, a buddy of mine in high school likely played them for me at several points but, hanging out with Robert, everything was 80s metal so I maybe didn’t register it properly.
Worse, I bought both cassettes (listed below) at work for $0.50 each and until I got here for this series, I’d not yet played them! Good thing I’m getting to ‘em now, eh?
Also, as is obvious from the dates on these albums I have here (below), there are huge gaps in my Accept collection. In studio albums alone (to date), I am missing 11 records. Not to mention 5 live albums and 7 compilations. I am by no means an expert.
Alright, enough padding this damn post, let’s get into the records:
1983 – Balls To The Wall (cs)
OK, I know the title track here. What a riff! I really like the crunch of this track. Hearing it today reminds me of a weird hybrid of classic Judas Priest, Bon Scott-era AC/DC, and wee bit of Motörhead (when he’s not screaming, he sounds a bit like Lemmy). Not that I’m complaining at all. The album carries on in this vein in its entirety. The riffs are crushing whether the songs are fast or slow, and the songs have just enough without being too much. Better, it transcends its era to achieve a sort of timelessness that is really, really satisfying. Fucking epic, top to bottom. This one was certified Gold for a reason. Definite Hit, though I’ll replace cassette with CD when I can.
1986 – Russian Roulette (cs)
TV War starts us off with a 100 mph blast, whoa! Listening, as I am, on the heels of Balls To The Wall, I hear all the same things all over again and I frickin’ love it. Three years on (this is their 7th record) and Accept is business as usual, and the business of rocking the hell out is damn good. Wiki tells me this was their last album with their singer Udo Dirkschneider for another 7 years…
There’s a swagger to what they do, a bluesy metal stomp that could easily be parody in the hands of lesser bands, but these guys nail it track after track after track. Another Hit, though again I’ll replace cassette with CD when I can. I’d play this one anytime. It’s really quite awesome.
I already wrote this one up (link in album title, above), but of course for this series I had to play it through again. There’s a gap in my Accept collection so huge as to make my perspective all off when it comes to what happened in between. Thank goodness for the internet! As I learned, “It is the band’s first studio recording since 1996’s Predator and the first album to feature vocalist Mark Tornillo and drummer Stefan Schwarzmann. It is the first Accept album without Udo Dirkschneider on vocals since Eat the Heat (1989), and the band’s first album to feature guitarist Herman Frank since Balls to the Wall (1983).”
All that to discover that this is another full-on metal record with not a stinker track to be found. Even though it was recorded in 2010, it could easily fit into the 80s with the other albums I heard before it.
You know, three records into listening to these guys and I’m starting to think they were unable to make a bad track. Statistically, of course, over a career as long as theirs this is nigh on an impossible claim, but all I hear here is beautiful, crisp, clean metal that makes you smile. Definite Hit. Accept is 3/3!
Going into this series, I thought maybe this would be another band for which a compilation would be enough to make me happy. Now, having heard three of their albums (despite being decades apart), I wonder if the albums proper are the way to go, because all three of these are Hits for sure. What say you, Dear Readers? What’s more Acceptable for you, compilation or albums?