SLCR #281: Bryan Adams (May 27, 2017)
Let me take you back to the very first ever SLCR, Great Big Sea on October 9, 1996.
The lead singer was in fine form, carrying on a running conversation with the audience. “Did anyone see us at the MuchMusic Video Awards? (crowd cheers) What a great party. Alanis was there. (crowd boos) And Bryan Adams opened the show, then we played. You know what that means? Bryan Adams opened for us! (crowd cheers) We said, ‘Hey Bryan, anytime you want to open for us again, you’re more than welcome.’ And you know what? He was playing in the parking lot, we were in the studio, so we told the guys, ‘You know, we’re not that big, you coulda let the poor bugger in to meet us.’ Ah, Bryan Adams. Keep an eye out for that kid, I think he’s got a real future in this business.”
Finally, I could see if he lived up to the buzz!
I suppose it’s a little surprising that I’ve gone to lots of concerts in the past 20 years and have been a Canadian for all 40 of my years but have never seen Bryan Adams in concert before. There’s a long, drawn-out reason for that: I didn’t care to. I mean, Bryan Adams is fine, some of his songs are good, some of them are kinda dumb. He’s played here before since I’ve lived here. Saskatoon too. I just never bothered to go see him.
When Adams was announced as the headliner for the first-ever concert in our shiny new football stadium, it seemed like a decent enough choice. He’s been a big star forever, and though I always thought of him as more of an arena-level guy and not a stadium-level guy, that actually worked here. Though the event was called “Regina Rocks” in marketing, it was called “Test Event 2” on volunteers’ badges (the stadium doesn’t officially open until July 1, and there was a college football game last fall). Probably good to start with Bryan Adams before you bring in someone who can sell out a stadium in an hour.
It didn’t seem like tickets for this event sold as well as they organizers were hoping. It was a triple bill with Adams, Our Lady Peace, and country singer Johnny Reid. They said they’d capped ticket sales at 70% of capacity, and it looked like they’d sold about 70% of that. They gave the final number at somewhere around 21,000 people.
When the show was announced, Mika seemed really excited to go despite not caring about Adams or knowing anything about Reid. And while we were both Our Lady Peace fans back in the day (they were huge here while I was in university), she’d never expressed an interest in going when they’d played here before. I think it was just hype for the first concert at the new stadium, and not wanting to buy pricey tickets, I… didn’t. The hype faded and we largely forgot about going.
But that hype. I buy into it too, right? In the week before the show, I checked my work’s intranet and discovered a passcode that would let me get discount tickets. And I like concerts. And I like Our Lady Peace well enough, and Adams is a legendary Canadian musician, so why not? I texted Mika, who opted against going. Too busy with school. So I didn’t get tickets. And I was actually a little bit disappointed.
About two hours later, my dad texted me to let me know he’d got free tickets from a supplier of his, and did I want them? I did indeed, and for free, Mika would make time to go too. Lesson learned: never pay for anything.
My dad and I then had a series of texts back and forth over several days (not an exaggeration) wherein I tried to determine how many free tickets there actually were. I had assumed all along that I was getting two, but didn’t want to pick the tickets up and find out there were more when it would be too late to invite others. I think my dad thought that I was disappointed in getting only two, which I wasn’t, and then it sounded like I wasn’t getting tickets at all, and I don’t know why this was so hard. They need to invent something like texting except where you can just talk to the other person.
The new stadium has many amenities but one of them is not parking. As in, it has none. They want people to take the bus, and when we’d gone to football games at the old stadium, we’d done that a few times. So fine. Concert’s at 6:00. We get to the nearby mall at 5:00… and there are HUNDREDS of people in line. Shit. We park the car on the complete opposite side of the mall because the parking lot is packed, and make our way over to the line. Things are not looking good. A bus was taking people away when we got there, and by the time we were in line, a new bus had arrived. Okay. This is manageable. Some lady walked by and said that busses (buses? I never know) were coming every 5 minutes. I can live with this. Then we go 15 minutes without a bus. Shit. Again.
I’m sure it’s super enthralling to read someone describing waiting for a bus so let’s skip to the end – it took over an hour to get on a bus and by the time we got to the stadium, Our Lady Peace was 20 minutes into their set already. I get that this was a “test event” and that there were kinks to work out, but this should not be one of them. You had stadium buses before. You need more now since there’s less parking. Pretty simple.
I’d be more upset – and was at the time – but Our Lady Peace is coming back in less than 3 months to open for Guns N’ Roses in the stadium and we’re going to that, so whatever. We’ll see them again. As long as we get on a bus three hours early.
Back to the event at hand. There was a lady on the bus wearing a pink ballcap that she had adorned with plain white stickers – like the kind you might use to print address labels, maybe – upon which she’d handwritten BRYAN ADAMS ROCKS! with a Sharpie. This lady filled me with so much hope. Hope that Bryan Adams would rock.
Luckily, the bus stop at the stadium was right by our gate, so we were inside in no time. We could hear OLP playing Innocent as we walked up. Our seats were on the lower level, near the back. Far enough away that we were mostly watching the big screens. The seats at the new stadium are a massive improvement over the old ones. One of my dad’s coworkers and his wife got tickets too, and they were in their seats already when we got there. We said hi but didn’t really get to chat much throughout the evening. Music is loud. And also we don’t really know each other, so y’know.
I had read an interview with Raine Maida before the show where he said he was looking forward to testing out some new material, and I was all like …my dude. You have a 45-minute set and you’re not the headliner. Play all hits all the time. Ultimately, we got a mix of songs I knew and ones I didn’t; I don’t know how many were truly new, as I mostly only know the singles and the first couple albums. Looking up their setlist online, I see we missed Naveed and Superman’s Dead, which is disappointing. I had hopes for One Man Army, and they didn’t play that one. But there were some that I knew well, including Is Anybody Home, Clumsy, In Repair, and Starseed. Maida also sang part of Grace, Too by the Tragically Hip, which got a nice reaction. I still hope the Hip will get to play the new stadium someday.
The sound for OLP was good but seemed to be having a few issues; it wouldn’t cut out, but the volume really fluctuated at times. Mika thought the wind might have had something to do with it. I thought the issue got better as the night went on but I heard people say the same thing about Adams’ set later and I didn’t notice it at all then, so maybe it was environmental and based on where you were sitting.
There was a quick switchover before Johnny Reid played. I knew nothing about him, and I thought I knew none of his songs until he played Fire It Up – and even then, I only know the part that goes “fiiiiire it up.” This was a pretty well-executed thing that wasn’t entirely my thing. I like piano. I like fiddle. Reid seems like a good dude. This was enjoyable enough but I still found myself getting distracted for long stretches.
At some point during the set, Mika left to go to the washroom. I didn’t ask about lines but she was gone for quite a while, and when she got back, said that the lines for food (and even for 50/50 tickets) were too long to even consider getting anything. More on this later.
During the switchover to Bryan Adams, they put a still image up on the big screen, the cover of Adams’ newest album, Get Up. It’s just him standing there with a model standing behind him with both her hands on his face. Or at least I assumed it was a still image – at one point, a cellphone rang and Adams pulled his phone out, turned it off, put it away, and went back to the same image as before. A cute visual and also a clever way to get people back to their seats before the show, as it essentially served as the five-minute warning. A few more minutes of the picture and suddenly Adams lunged forward and roared, and the real Bryan Adams and his band sprinted onto the stage.
Adams was interviewed by the local newspaper before the show. One question asked that because Adams has so many hits, how does he decide which ones to play? He said “that’s easy – we play them all!” I can now confirm that this is true. Bryan Adams has a million hit singles and he played pretty much every one. At several points, Mika said “what could be left beyond Cuts Like a Knife” and then he’d play three more songs that we knew. By the end, I was actually expecting him to sing his unfortunate but hilarious holiday song Reggae Christmas because there really couldn’t be anything left. Dude has so many hits that when he played Summer of ’69 about halfway into the set, I thought it was a really weird choice – OBVIOUSLY you close with Summer of ’69 – but by the end it didn’t even register. So many hits. Older songs. Newer songs. If you like a Bryan Adams song, he played it.
I mentioned that I’m not a huge Bryan Adams fan. I am here to tell you that such people do exist, and they exist by the thousands. This was really noticeable about a half-dozen songs in, when he played Heaven, the first ballad of the night. Thousands of people held their cellphones high since nobody has lighters anymore. And EVERYONE sang along. I mean, I didn’t, but was surprised to realize that, yeah, I could have. And then there was a whole lot of applause from the section to my left because someone had gotten engaged mid-song. My goodness.
For the first two bands, the big screens gave a nice view of the show. Adams used the screens to show footage from music videos, as well as to show live footage with effects applied. It made for a much flashier presentation, but being so far back, it made actually a little more difficult to actually see the show, so there was a bit of a tradeoff there. Not one I minded, since it was a nice change of pace from earlier.
All told… I don’t know? The sound was good for his set and the crowd was really into it up until close to the end. It was a perfectly fine show for the nothing that we paid for the tickets. I didn’t go into the show as a huge Bryan Adams fan and that hasn’t really changed. It was pretty telling, though, just to see how many songs of his I knew. And not “oh yeah, I think I’ve heard this one before,” but ones where somehow I knew every word. It’s not like I ever doubted he was a star, but I didn’t really have a sense of just how big he’d been for how long until you string together one huge hit after another like that. So even if I’m not walking away as some Bryan Adams superfan, I definitely have a newfound respect for the guy and his career. And even my least favourite of his songs was made better by making jokes about it that were so dirty that I have been forbidden from including them here. Sorry, but if it’s any comfort, I’ll be as left out as you when I re-read this in five years.
One unfortunate side effect of the earlier transit issues was that it seemed people were leaving in droves towards the end and especially during the encore. I suspect a lot of this was people not wanting to wait hours to get home. We stayed until the very end and it almost felt anticlimactic – Adams ended the encore on a solo acoustic performance of All for Love. I said he played every hit, but he did skip There Will Never Be Another Tonight. It felt like – and I could be entirely wrong here – that one gets saved for if the fans want a second encore. In this case, however, they did not. He finished All for Love and there was barely even any applause, just a stampede to the exit.
Leaving, the good news was that we were close to the pickup point for the buses. The line was still ridiculous, however, and there was nobody from the stadium or the bus system to help people figure out where they needed to be. There was some confusion and some line-cutting, but whatever. They did a good job of quickly filling up buses and shipping people out of there, so I can’t complain about that. The thousands of people still in line behind us, however, might tell a different story.
On the ride back to the mall, we overheard some people talking about concessions running out of food and water around 7:00 – and this was now 11:45. Because it was a test event, I know they didn’t have all the concessions running, but still, they clearly have some bugs to work out. I chose wisely when I didn’t try to get food there or I would have wound up pretty cross. Instead, I picked up a poutine burger at midnight on the way home from the bus dropoff point, which is its own unique brand of questionable decision making.
• Amanda Marshall w/The Harpoonist & the Axe Murderer (June 23)
• Hawksley Workman (June 24)
• Son of Dave (also June 24)
• Serena Ryder (June 25)
• Beck (August 20)
• kd lang (August 26)
• Guns N’ Roses w/Our Lady Peace (August 27)
• The Sadies (September 14)
• The New Pornographers w/Born Ruffians (October 6)
• Whitehorse w/Terra Lightfoot (October 13)
• Martha Wainwright (October 22)