I’ve been slacking on this one and letting the reviews pile up again. I always enjoy Danny Michel shows, but there never seems to be that much to say about them, unless we have some awkward interaction after the show. It happens more often than you’d think. I mean, I’m socially inept in general, but I can usually fake it long enough to get a CD signed or something. Not so much where Danny is involved. And as much as I’d love to pass the buck, it’s not his fault; he’s a good guy who legitimately saved me from catching fire once. After I stole his setlist.
His shows, though, I pretty much know what I’m in for. He doesn’t usually play with a band when on tour, so it’s him with a guitar and looping pedals (and maybe a piano, depending on where he’s playing). And he has a Hawksleyesque quality about him where he’s written hundreds of songs but always seems to draw from the same 20 or so when deciding what to play. None of this is a complaint, I should add. I know what I’m getting but I like what I’m getting.
We showed up at the Artesian and took what is becoming our usual spot at the end of the lowest pew on the left side. Same place we sat the last time we saw Danny there. There were fewer chairs on the floor than usual, with some small round tables available. Even with less seating available, the show still wasn’t sold out, which is a shame. Not that the attendance was terrible, but lower than it should have been. I don’t know what you can do to get more people out to shows here. The brutal cold deserves some of the blame, but every time attendance is soft, there are more Calgary-Edmonton-Saskatoon-day-off-Winnipeg tours. Musicians have to go where they’ll get paid.
Along those lines, Danny had a Facebook post go viral a few months back where he broke down some of the economic realities of being an independent musician. It’s one thing to know that streaming services have an effect on what artists make, but he was open about the scope of it, mentioning a 95% drop in album sales over the course of a year. That loss is counteracted, as such, by streaming royalties, though he also mentioned that a recent single (Purgatory Cove) spent 10 weeks in the CBC Radio 2 and Radio 3 charts but earned less than $50 in royalties. His post made it pretty clear that indie musicians are struggling and reconsidering their careers and futures. It was a sobering read.
Now that I’ve been nice and depressing, let’s get into the show! We started right at 8:00 with no openers. Like I said, I thought I knew what we were getting, so I was pretty surprised when he busted out Toledo for his second song. Apparently, a fan requested it the previous night in Swift Current, but Michel had to admit he didn’t remember how to play it, so he spent the afternoon before our show re-learning it. I don’t think this was hyperbole; when I entered the night’s setlist into setlist.fm, there wasn’t even an option to add Toledo. This is one of my favourite Danny Michel songs and as far as I can tell, it’s been over a decade since I’ve seen him play it live.
Similarly, he played Perfect later in the second set. That was another old one that doesn’t get much play. I say “old one” as though I didn’t just realize that Feather, Fur & Fin has now been out for over a decade, though I still consider it among his “new stuff.” I’m bad for that. Every Tragically Hip album after Phantom Power is “new stuff” and it came out in 1998 and only got added to “old stuff” last year.
As for the rest of the show, it was a really fun time. Few surprises, but he cracked jokes, told stories, and played a lot of old favourites with some new stuff from his latest album, White & Gold:
Born in the Wild
Whale of a Tale
Samantha in the Sky with Diamonds
Feather, Fur & Fin
A Cold Road
What Colour are You?
Who’s Gonna Miss You?
encore: Nobody Rules You
But we weren’t quite done. Michel explained that he was going to play one last song and consider the show over, but that he had something extra planned just for us, if we wanted. His birthday had been the week before, and his friend Rob Carli, who was recording with the Toronto Symphony, got them to play Happy Birthday for him. So Danny wanted to return the favour, but with a different song, a Regina-centric song, one that Carli had introduced to him. So he had the sound tech hit the music and led us all in a singalong of Experience Regina, which by now has to be the most mentioned song in any of these reviews. It was a fun time. He walked through the crowd recording everyone and later posted the video. You can see Mika and me singing in the background (by which I mean, I can point out which blurred smudges are us, but you’d never know without help). A fan sent in additional video, so it’s a two-camera shoot; in that footage, you can get a real nice look at the back of our heads.
I stopped by the stuff table to pick up White & Gold. Not only do I dig his music, but it was also a super value pack (LP, CD, and download code, all for one low price). A deal! We stuck around long enough so I could get it signed and… nothing awkward happened. No theft, no fire, no immediately regrettable topics, nothing to add to the list. Just a brief chat and a nice souvenir that I’ll add to the record shelf once we buy more shelves. Or thin out the cookbooks.