Can I just say off the top that I am thrilled my first post of 2018 is a Motörhead effort? It just feels right!
I got this disc for Christmas and hell, any Motörhead is a great gift indeed! That said, this was an interesting listen…
Breaking The Law (Judas Priest) and God Save The Queen (Sex Pistols) were what you’d expect, fairly straight-on renditions. Good, but except for Lemmy’s vocals there’s not a lot to distinguish them from the originals. Their cover of Heroes is a highlight only because you kind of forget you’re listening to Motörhead while it plays. Weird to hear them hew so close to Bowie…
Starstruck (Rainbow) kicks the tempo up and rips well. Cat Scratch Fever does a decent job, playing it pretty straight. Then it’s two Stones tracks – Jumpin’ Jack Flash rocks hard, I liked it. Lemmy’s rasp adds some cool menace to Sympathy For The Devil. You know, I don’t tend to like covers of the Stones (just listen to the originals, seriously) but these two were bloody damn good. Especially when the guitar rips a solo in SFTD. Twice! Whoa.
Next is Ozzy’s Hellraiser (I forgot that Lemmy wrote this one for Ozzy). It’s pretty close to the No More Tears version, but my ear kept wanting Ozzy’s vocals. Lemmy sounds odd here, especially in the chorus – still cool, mind you, and the band’s smokin’ on this one wow. Next is the Ramones’ Rockaway Beach, and here’s a track with some real energy, finally! Go go go! Yeahhhhhhhhh!!!!!!
Twisted Sister’s Shoot ‘Em Down is a nice addition and they play the hell out of it. Great track. And finally it’s Metallica’s Whiplash. Whooaaa goddamn they really blast this one! Best track here! YES! Go go go! Smash! (Seek And) Destroy! Rarrrgh!!!!!!
Especially early on, some tracks just felt like they were playing it safe or something. I dunno. Maybe more listens will prove I’m wrong as I write this up tonight and I’ll love this disc as I know I should! The album seems to pick up steam as it goes, all the energy buried in the second half… They might have been better to reverse the track order of the CD!
I did find that Lemmy’s vocals were sometimes buried in the mix, and he’s hard enough to understand as it is! But there’s no knocking any of the playing, in fact most of the time it’s amazing work. And I gotta hand it to them, this is a stellar selection of tunes to cover!
Scott sent this record and it blew me away from track one. I love Motörhead. It’s pure metal blues rawk. Of course it is, it’s Motörhead! The first four tracks (Runaround Man, Teach You How To Sing The Blues, When The Eagle Screams and Rock Out) play like a greatest hits collection, and then the record just keeps relentlessly going with great tune after great tune and a blissful rock-out state settles in… I found myself totally impressed by the straight-up and uncompromising sound this band puts forth. For a trio, they make a helluva lot of noise! At high volume (and through the good headphones), this is a masterpiece. This record makes me want to break some stuff and then drive really fast! To where? Does it matter?
Yeah, you could argue that all Motörhead sounds kind of the same. You might not be far wrong, I mean, this is their 19th studio album since 1975 and it sounds like only Motörhead sounds… But a better question is: who cares? When a band rocks this hard and lays down such crushing riffs at such a punishing pace, who really fucking cares? Not me!
Motörhead! Motörhead! Motörhead! Motörhead! Motörhead!…
Ah, Motörhead. Straight ahead, balls-out, dirty, sweaty and skanky rock and roll. Simple song structures that support awesome guitar solos, breakneck drumming and Lemmy’s inimitable voice. Ace Of Spades will rock you as you call for another round. Drink in hand, you’ll watch the sun come up and then you’ll spin the whole platter again.
Every rocker wishes they could make this record; it kicks ass and takes names, it swaggers and it bleeds from exertion. Like AC/DC’s Back In Black, it’s an exemplary template of their sound.
And all across the land, devil horns are lifted lustily into the sky…